“Marrying Sensory and Data Analysis to Create the Ultimate Retail Experience” with Jerry Chen | Ep 4

The Group CEO of USEN Southeast Asia, Jerry Chen, joins this episode of The Future of Retail Asia. He shares his experience with Jun and Imran of having to grow his business from the ground up to the one today that provides the full sensory experience in the retail sector. Jerry also conveys the importance of collecting data, crafting relevant hypotheses, and conducting appropriate tests to further enhance the customer experience through the senses.

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Episode 4: “Marrying Sensory and Data Analysis to Create the Ultimate Retail Experience” with Jerry Chen

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IMRAN: Hello, welcome back to The Future of Retail Asia. My name is Imran.

JUN: And I’m Jun. Joining us today is someone very interesting. I think he started off selling royalty-free music to retailers, but now is an expert in influencing customer behaviour through the senses.

IMRAN: He is none other than Jerry Chen, the group CEO of USEN South East Asia. Jerry started off in 2009 with Express IN Music, a music crowdsourcing platform for jingles and voiceovers. And then the business expanded to providing background music and other services for retailers, F&B and malls, around Southeast Asia and APAC. Welcome Jerry!

JERRY: Hey! Thanks for having me here.

JUN: I think that is where I personally very interested about what you are doing, Jerry. I still remember the first time we met, we were talking about what we are doing. Sorry to say that when the first time you mentioned that you were doing background music, my first impression is, is it the Spotify for B2B? After we discussed, then I realised that you are actually using music to try and influence people behaviour in the different scenarios. Very curious. How did you manage to get into this niche market? I mean, background music is everywhere, but using the music to influence the people, the consumer’s spending behaviour.

JERRY: I will start off by sharing, back then the very popular Spotify, Deezer, and KKBox coming into play back then. We were brainstorming what type of music company do we want to be? From there, we looked at, needs vs wants, B2C. Consumers may want to have certain ad-free music, but do they need to? Even for myself, in the music industry, I have been listening to ads, kind of, on Spotify, until very recently that I paid for my monthly fee.

IMRAN: Finally!

JERRY: Finally! After some promotions and discounts. We understand that we cannot fight the big boys, like Spotify, Deezer, KKBox. Therefore, we actually looked into who else needs to have music, and what is the pain point that they have. And we focused on non-consumers, which are the B2B commercial part of things, and that’s where the F&B, the retailers, the shopping malls, hotels, that need to have music curated ad-free. That’s where I went into this business, and from there we actually grow exponentially.

IMRAN: Awesome. When you were growing, you shared a lot of stories with us before this conversation. You shared that, in the malls, you played different music and different locations. In the corridor vs toilet, and even in the car parks. You play music to make it safer there. Could you share with us the thinking or the practical theory behind the customer psychology?

JERRY: Every single part of the mall, the shopping mall is big right, so every part of it is very different. People go to toilet for, you know, purpose. We go to car parks for another purpose. Corridors at certain parts, certain levels, they are all segmentised. They’re already being categorised in our mind, in our way. For example, when you mentioned about car parks earlier on. What is the purpose of having background music, there can be a few. One of which some of the research papers has shown, it is for the safety, for security purposes, giving you the sense of security. In the Maslow's hierarchy of needs, that is one of the most basic. There is the science that shows if you have empty spaces that is too quiet, you will be paranoid. You don’t feel safe, you look around. Is there somebody going to attack me from out of nowhere? You watch too many of this type of dramas, TV shows, crimes happening, robbery and such. It could happen to you because that’s where the mind starts to wander. But when we have music that fills the void, that space, we are able to see how we are able, in terms of psychologically, calm ourselves down subconsciously, and then we feel safe. Once we feel safe, this mall is associated for example, to being a place that I would go to.

IMRAN: So you talk about security right, and I wanted to elaborate on that. Is it possible to use the music to actually then activate the wants? So security is basic, but now I want stuff. I want to feel comfortable, I want to look or feel a certain way. How does that activate that need or that desire to spend?

JERRY: When we talk about more than just music as part of our sensory perception. From your sight, in terms of mood lighting, warm lighting, bright. It can enhance certain types of perceptions. Example, when we have our meals at certain western restaurants. You say, “This place, kind of cheap la.” Because the utensils are kind of light. “Cheap, but then I pay so much. Not worth it la''. People say, “Bo hua”. So it’s all part of their perception that we create, what type of music ambience. Some people say, “Oh, pop songs. Because it is what people like to hear.'' But does that mean that it suits your entire perception and filling the value that you want to create as an outlook to your targeted audience. I know a lot of businesses say I want to hit the masses, everybody and anybody is the best. It is always that 20% that brings in that 80% of the profit margins. And that’s where you look into that niche audience and create that ambience from the specific ambience music, to the mood lighting, digital signages, and even fragrances that we want to portray. You cannot make everybody 100% happy, there will be that few X% that will be like “Ahh, I don’t really like your place.” Well, they are not your targeted audience then. So look into that 20 that brings you that 80% profit margin.

IMRAN: I think that brings a very interesting topic right. For today, it is the case where we are still under tightened measures, in retail. I think even over this weekend, there is a restaurateur that was sharing that their business was suffering very bad even though it is opened up. Partially it is because there is no music to create ambience. Is the customer experience today, in Covid context, in New Normal context, even more important than ever? The sensory experience?

JERRY: I think this sometimes when you lose something, then you realise that something is important. When it comes to this context, it’s about managing the best to our capabilities and also not just generally of music is good. People know that generally it’s that. But different times of the day, got different sets of audiences. So how do you set your time slots, how do you schedule it. Weekday crowds and weekend crowds is different. No music versus got music, there is a difference but what type of music makes that difference for your specific audience. And that is that punchline you need to look into. Now you say no music, it hurts businesses, like the Straits Times reported on the news. There is this research that I have with me, it’s quite a chunk out there. All this type of thick research paper is what our headquarters, USEN-Next Holding in Japan, actually curated and gathered sources from the world, from US, Europe, Asia. We also have our own group of researchers, scientists, professors that are looking at this. For example recently, we looked at lab studies that show low volume, not no, it’s low volume. Low volume actually increases sales towards healthy foods.

IMRAN: Low volume of …?

JERRY: Low volume of background music.

IMRAN: Ah… I see.

JERRY: And if you look into higher volume in contrast, unhealthy food. Even the certain type of pitch, tempo, will affect the way this food is being perceived. That is why when we eat on the plane, It’s kind of bland. But do note that the ambience sound is white noise. There is a lot of different type of, the food can be presented the same, but you eat at a different environment, at a different place, you feel differently. “Eh, this is so expensive.” “Ah.. This is so cheap, so value for money” Actually can be the same thing. Why and how do people perceive it, just like what you mentioned just now, the restaurant owner that commented. It actually plays an important part, but more so the very specific type of music or the environment that you want to create from mood lighting to digital signages. You can say I got digital signage, but I flashed what type of food like, “Oh this is my hamburger, this is my cheese fries.” That is A. If you do AB testing, for example, you will look into, “Oh, this is the way I describe my cheese fries. How juicy the beef patty is for my burger.” It flows out, it makes you just crave for more. Every bite makes you think of your first love. They way you describe it, itt makes you just want to have it so much, and this makes you more hungry. As compared to the A testing. So that is AB testing to understand better. So digital signage is just a medium, background music is just a medium. You can do it yourself or do you find an expert to curate that ambience for you so that you can tweak it so that the 20% is targeted to bring you that 80% profit margin. Otherwise, you would just be doing 80% of the time, the music that people play, herd mentality. And that is where you get only 20% of that margins.

JUN: Interesting right! In order to understand and implement the customer psychology, just now you mentioned about AB Testing, and not only for F&B, also for the retail space, supermarkets. We look at a lot of data today, camera, people counting systems, a lot of IoT sensors. And here at Aimazing, we can paint a picture of the customer’s transaction data. Do you think that Aimazing can help malls to improve their customers' experience with the retail transactional data.

JERRY: I think that brings me to my memory in army days. My encik always say, “You think, I think, who confirm?” So everyday we want to do certain things in a shopping mall, in a retail outlet, and then we say “Based on my experiences”, “Based on what I believe it is” is not based on true data. And that is why you get all these datasets in place, so that you are able to analyse and push hypothetical analysis, hypothesis out there. You are able to do AB testing in multiple datasets to prove a point, and you do it with a purpose and objective. That is how we are able to meet the first step that analysis the data came from. And then we will push out. Without that, it is all a guessing game. I think, you think, nobody can confirm it. Then you say I should have, I could have. Too bad. This is very important. And it’s step one! If you don’t have that, how are you even going to do step two or three.

JUN: Exactly!

IMRAN: So if we are able to go from that guessing game to the confirm game from the no testing to AB testing. How do you think we can merge this whole idea of consumer sensory, consumer psychology and with looking at retail transactional data. How do you think that malls and retailers play to win now?

JERRY: Let’s say in a mall, we have different floors of F&B. And F&B itself is also different types, got western, got ATAS one, premium, for masses. So we need to understand the crowd dynamics, the personalities that are involved. When I go there, how do I, as a consumer, hope to be perceived as. Or is there a specific interest? Typically, with data that is connected, you found out that at a certain time of day, there is a certain type of people that go to the cafe, there is a certain type of groups of people that go as a family, young family, multi-generational family and such, you go there for a different purpose. You capture the trend through such data, and from there we are able to say because of this data, I am able to give you certain types of mood lighting. Because warm lighting and the bright, white light, has a different type of feeling. Ambient music with a different type of voice over that targets, if we know ladies typically are more into white wine, as compared to men, red wine. It is also known that groups of guys come together, four, five guys come together and they drink a tower of beer. As compared to you trying to sell the one pint, a second pint, third pint. It is not as lucrative. It is known that guys in groups of four or five typically come down at 5.30pm to 7.20pm. You can always have a certain type of promotion to upsell, through voice overs, and this with a system, SOP processes, you are able to set that in the right tone. And then at 7.21pm onwards to closing at 10.30 for example, you set another type of ambience, because you know who is already going to come. You cannot be very certain 100%, but you are able to get a high probability of who and what you want to target. If there are more ladies, dessert menus on promotion, your digital signage will have a time schedule being put out there to seduce, attract, the right audience. Imagine those hunky guys after sports typically go to the cafe at certain times, please. People want to be very general and generic. At the end of the day, you are targeting no one, because 80% is targeting at 20%. Oh, by the way. This by the way is you playing on chance. What we talked about, guessing game. With what we mentioned with the solutions that is presented, the dataset, we are able to customise voiceovers, mood lighting, digital signage schedules. How appealing you want it to be to that target audience in a very targeted manner in a retail, F&B, shopping mall setting.

IMRAN: And not just at a static preset level. What you are saying is that even from a real time responsive level as well. Or even an AB level testing level on a daily basis.

JERRY: Yes, correct. It can be done in both ways.